Harry Potter's cousin G.Potter has started to go to practica! Some times it goes well and he with partner are disappearing to the other worlds. När difficulties accumulates the whole world is shaking!
But notice! they both have their broom ready for fast escape!
The most interesting thing with this kind of video effect is the fact that the camera holder will be part of the video. Here the lady got upset before you can hear G. Potter start to explain, her camera hand is shaking and the whole room shakes. In ordinary film you don't see it.
(He explained nicely but was frustrated!)
Sunday, October 9, 2011
Whos fault IS it?
Sometimes, when you are leading, you find unexpected effects. It is difficult to analyze the source for the phenomenon or find the way to correct it. Here you have our story, how we did analyze the situation and found the solution!
For our small group the caminata is an important part of the technical training and we have it on the schedule every time! At one of the very first times I noticed that my main partner Ms. B was walking in a slight, but definite turning circle to the left, I needed to work a lot to keep her in a stright forward caminata. When we talked about it she said she felt the lead to that slight curve promenade, I told her that there was no lead for that turn ......
We made some videos that time and after several months there was time to analyze it. These are the facts I have found so far!
Ms. B is walking very balanced backwards. Her heels are placed on one line and the toepart is pointing out in an angle she is able to keep constant / stable. The rectangle formed by her hips and shoulders is fine, working balanced and steady. I think this is one of the reasons she is so good follower. Her response is clear without unbalance, 'noice'.
You will see the walk first in slow motion and then the normal pace.
For our small group the caminata is an important part of the technical training and we have it on the schedule every time! At one of the very first times I noticed that my main partner Ms. B was walking in a slight, but definite turning circle to the left, I needed to work a lot to keep her in a stright forward caminata. When we talked about it she said she felt the lead to that slight curve promenade, I told her that there was no lead for that turn ......
We made some videos that time and after several months there was time to analyze it. These are the facts I have found so far!
Ms. B is walking very balanced backwards. Her heels are placed on one line and the toepart is pointing out in an angle she is able to keep constant / stable. The rectangle formed by her hips and shoulders is fine, working balanced and steady. I think this is one of the reasons she is so good follower. Her response is clear without unbalance, 'noice'.
You will see the walk first in slow motion and then the normal pace.
She is moving in such a beautiful manner, isn't she?
We go on to se what happens with the leader in black! Please look again how the steps are placed and how the shoulder/hips rectangular looks like. You get the slowmotion version first and then in normal speed. If you choose whole screen in Youtube, it will be easier to se!
We go on to se what happens with the leader in black! Please look again how the steps are placed and how the shoulder/hips rectangular looks like. You get the slowmotion version first and then in normal speed. If you choose whole screen in Youtube, it will be easier to se!
Here we have some things happening, don't we?
It is quite obvious that the shoulder/hips rectangle has collapsed; the right shoulder is lower and left hips goes out more than the right one. There is also differences in steps.
It is quite obvious that the shoulder/hips rectangle has collapsed; the right shoulder is lower and left hips goes out more than the right one. There is also differences in steps.
The left foot step seems quite ok, the foot is moving on its own line forward and even the shoulder line is acceptable.
It is different for the right foot step! The right shoulder is lower and left hip goes out. Right foot is also going slightly diagonally forward. And here we have the lead, enough for a sensitive follower! If the leader would make the step a little bit longer and keep left shoulder some more away, then we would have a clear lead for a left side turn!
This time the cause for this diverging from the forward caminata was the leaders (my) unclear / unbalanced back and feet movements.
Nowadays when i feel that a follower is turning without my intentional lead to the left I do not lead / turn her back but I start to control my left hip and keep my right foot in line instead.
I have a scoliosis in my back, It makes the back movements more unbalanced and unstable. Usually I do not mind that but some sensitive followers are able to perceive it and act on it.
.... and one more thing. When I was following the reason for unbalance, anyhow to some extent, was on the follower / me! My scoliosis is working in both roles! ;)
Sunday, September 11, 2011
Why I didn't ask you for a dance?
When I started to lead, I soon noticed how much circumstances decided my partner for next tanda and I relaxed. It can go like this when i look for a follower for next tanda .....
I promised my next milonga for her, but when the milonga started I just could not spot her! Where is she? Looking around but no: I could not find her! According to her I was looking into her eyes but just turned around and asked another lady. Later I noticed that her djungle printed dress made her invisible for me, she just disappeared! (We are friends again;)) I need a dress / detail to spot you ...
I had seen her at one of the tables, but when the next tanda came she was not there anymore. What a rush to find someone else for this wonderful tanda! When dancing around I spotted her on the other side of the pista. Please, keep the same place for some cortinas and then change if you prefer to be somewhere else .... I need to find you somehow!
That night I was not totally ok and wanted to dance with the most nearest followers
I really want to dance with you but not during THIS tanda. I want to have something more inspiring for us ...
Yes, I want to dance with you but I want to dance with one of my regular partners first. She has been sitting for a while ...
Yes, I am not dancing now but I am still occupied. I want to ask someone to dance with me and I need to concentrate and focus before it! Waiting for the right tanda too.
I have been dancing for a long time and know lot of people at our ordinary milongas. There can be 50 up to 70 followers I know but only 4 (!) tandas per hour to dance. Can this be the reason when a follower wonders - He is dancing with me on Fridays but not on Sundays, what's wrong with me on Sundays? ... and another one asks: what's wrong with me on Fridays?
I do maintain two reasons to refuse a dance with a specific follower.
The dangerous and painful one is when the lady uses walking technique with high heels up, parallel with the floor - That heel will regularly visit the inside of the shoe for the leader in front of us ......
The other reason is her attitude. If an unknown follower comes by and says: I want to test you! or .... if someone is rude for a more quiet sister and stepping over her to a leader!
I promised my next milonga for her, but when the milonga started I just could not spot her! Where is she? Looking around but no: I could not find her! According to her I was looking into her eyes but just turned around and asked another lady. Later I noticed that her djungle printed dress made her invisible for me, she just disappeared! (We are friends again;)) I need a dress / detail to spot you ...
I had seen her at one of the tables, but when the next tanda came she was not there anymore. What a rush to find someone else for this wonderful tanda! When dancing around I spotted her on the other side of the pista. Please, keep the same place for some cortinas and then change if you prefer to be somewhere else .... I need to find you somehow!
That night I was not totally ok and wanted to dance with the most nearest followers
I really want to dance with you but not during THIS tanda. I want to have something more inspiring for us ...
Yes, I want to dance with you but I want to dance with one of my regular partners first. She has been sitting for a while ...
Yes, I am not dancing now but I am still occupied. I want to ask someone to dance with me and I need to concentrate and focus before it! Waiting for the right tanda too.
I have been dancing for a long time and know lot of people at our ordinary milongas. There can be 50 up to 70 followers I know but only 4 (!) tandas per hour to dance. Can this be the reason when a follower wonders - He is dancing with me on Fridays but not on Sundays, what's wrong with me on Sundays? ... and another one asks: what's wrong with me on Fridays?
I do maintain two reasons to refuse a dance with a specific follower.
The dangerous and painful one is when the lady uses walking technique with high heels up, parallel with the floor - That heel will regularly visit the inside of the shoe for the leader in front of us ......
The other reason is her attitude. If an unknown follower comes by and says: I want to test you! or .... if someone is rude for a more quiet sister and stepping over her to a leader!
Sunday, September 4, 2011
Followers backstep
Isn't it quite interesting how you can block out information just at a skin layer away. During the last years my concentration has totally been on leader's steps but I thought I knew the follower's steps. Actually the question of knowing or not knowing did not occurred to me! But when I tried to explain the steps to the two followers in our training group my knowledge was like a puzzle in a pocket! .... unsorted and with great risk for missing pieces!
So I have now recalled the information fragments from my follower days and reviewed my video collection. I hope you get a picture about the different aspects of the footwork easy to understand and oppose, if you disagree! Please let me know! A step is a phenomenon of moving and I think that's the reason I ended up using vocabulary for trips: departure, traveling and arrival.
I will go through the normal, ordinary caminata where the follower is walking backwards with normal, comfortable steps. There is another technique for the long steps. The moving energy for steps is coming from the leader and I would like to use expression – follower is placing the step – you are not taking the step but receiving the leaders forward movement and placing your step. Don't you think this idea could make followers balance stronger?
Just concentrate to PLACE the step!
Departure
Here you stand with one foot in front of you and you start to feel how leader is advancing; so your foot needs to leave its place in front of you and then start to travel backwards!
Many times ladies let the heel have the last contact to the floor and this makes the toes to jump up - a nice decoration but it should not be part of an ordinary step. With other words: When you feel leader's forward movement it is time to leave, lift your heel a tiny bit, keep the ball of the foot on the floor but without delay let leaders movement have impact on your foot - let it move. Please remember your ball of the foot is the last thing leaving the place!
This lady has a fantastic classical style! Though I prefer lower heels – should always be directed towards the floor!
(Please do NOT follow the advice to tilt the feets – there is risk for injuries!)
Decoration
Travelling
The most common recommendation is to step on one line but there is also many appreciated teachers talking for two lines; so both your feet have the luxury of own line! You can let the ball of the foot move on the floor or just above; it's a choice of your taste! Let the foot touch the other one when passing by and then KEEP THE HEEL still DOWNwards. It is more safety and it helps you to keep the foot, knee and hip line beautifully stretched.
When you watch the experienced followers you find how they keep the heels vertical/ towards the floor. The ones who have the stileto parallell with the floor are dangerous - it's like a piraya longing for nearby heels! There is ladies I do not dance with because of that or I change the line when having her behind me.
Another way to travel backwards is by letting your big toe to brush the floor. After passing your supporting leg keep your heel downwards and let your foot go straight backwards.
This is Jennifer Bratt, You find her video in the end of this posting. In the left picture she is placing her left foot, it is a little bitt toooo much toe and you can see how high the end of the heel is in the ear. Think how it would look like if ball of the foot could be used more here! On the right she has some of the weight on the left foot. The right heel is slightly in the air but ball/toes still on to the floor.
Arriving
Your landing moment comes with the leader's step but your landing style is your choice! Please touch the floor with the whole ball of the foot, anyhow with as big part of it as you can do comfortably. (If only your toes meets the floor I think your heel is too high!) Let your leader then do the rest of the job and roll you to your heel.
Jennifer Bratt - Low back boleos
At the end The main aspects!
Keep your ball of the foot towards the floor (heel towards the floor)
Receive the movement from leader, relaxed but with extended lines; heel – knee – hips
Placing your foot at every part of the step
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