Showing posts with label Achaval. Show all posts
Showing posts with label Achaval. Show all posts

Friday, February 19, 2021

Bored? When and how to get benefits from it?

Some workout channels on YT advertise sessions put together for people who get easily bored. These workouts had new movements all the time keeping my attention at a higher level than comfortable for me. It really wasn't my favorite workout! Obviously, there are individual differences and it could be useful to think about your personal style and if it has an impact on your learning. So what is your way, your actual style to get bored?

Do you get easily bored?

There is a need for repetition when you want to grow your muscles, brain structure, or nerve paths. In tango, many skills need quite a lot of rehearsing and if you get bored on those drills before you reach your goal it will keep you back on the tango path. If this happens often on your projects take a look at the situation and find a way around this hindrance. There are for sure ways to push your boring limit later!

Bored at the correct moment!

There are definitely situations when boring is just a correct indicator that you are not captivated by your goal and it is maybe best to skip the training! Or it just indicates that you actually have reached your learning goal and your mind cannot find anything interesting left to explore on the subject. It's time to move on!

Or do you get bored (too) late as I easily do?

Hard to get bored is not necessarily a good alternative either! I have noticed that I easily continue repeating things far beyond the moment I made the last active effort to learn something new on the subject. When the repetition has an air of exploring I would continue or if I feel that there is a stabilization process of the knowledge or a movement, going on I would continue. On contrary, if the repetition is just a dull rolling on a daily routine it should be checked out. I have learned to recognize these change points but earlier I was continuing too far and losing time!


Move sideways or push deeper when you get bored!     

During an ordinary training with TangoTools milonga steps, (which are easily added to a training routine without any preparations. I'm just saying!) I became aware of something new. I do not remember the exact clip but it was one similar to this.




Usually, I change to a new video on Sunday after a number of repetitions during the week. Normally I was doing the steps reasonably well so the shift was ok, based on the fact that I couldn't find any new details to add to or correct on my repetitions. A stable routine to grow my basic step-pool!

Then for some reason, I continued to repeat the old video longer than usual. In the middle of a later session, I suddenly noticed that my steps were not clean!. I didn't just land on my feet but there was also a tiny little flex, an extra movement I had not been aware of earlier. I remember that some teachers had talked about a problem with my walk but at that time I didn't get it. - I wasn't aware of the flex at all, but this simple, repetitive movement pushed my brain to find something to work with and it started to track the detailed step process deeper and new information about the movement became available.

The thoughts about the student's boring points were inspiring but not bringing any radical change to my mind. On contrary, the idea of my possibility to choose at a certain level of boringness to advance sideways or drill deeper has became a new instrument in my learning toolbox!



ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun 1. boringness - extreme dullness; lacking spirit or interest
dreariness, insipidity, insipidness
dullness - the quality of lacking interestingness; "the stories were of a dullness to bring a buffalo to its knees"

Merriam Webster  https://www.merriam-webster.com/dictionary/boring
bor·ing | \ ˈbȯr-iŋ  \
Definition of boring
: causing weariness and restlessness through lack of interest : causing boredom : TIRESOME
a boring lecture

ADJECTIVE
dull; repetitious; uninteresting
Collins English Dictionary. Copyright © HarperCollins Publishers
Derived forms


https://youtu.be/Q370yGIqFE4?list=PLuZgN3SYIPX5hO3BS8iUpJOToo-GUCruo



Wednesday, October 28, 2020

Why Achaval and Tangomeet for me?


Roxana and Sebastian have always been among my top favorite performers, but it was for a time ago when I decided to develop my enrosques - at last - I started to pay even more serious attention to them. I am dancing as a leader and Sebastian's skill and art of turning, his skill to coil his spine and body was mindblowing to me. I had found my high rising goal and it inspired me to work hard to get better, growing in that direction!

Youtube

I started to save youtube clips for future homework and saved them in my online library to manage the growing collection. From these videos you get the form, the shape of a figure and if you pay attention and are working carefully you can perform them reasonably well after some time. I had earlier noticed that when I work on 20-30 figures of a specific teacher I could hit some basic principles in their style and many times that is enough, that is what I want to achieve. Though in this case I knew that there were deeper-lying details which I could not even imagine and therefore not develop on my own!

Workshop

When Roxana and Sebastian visited the town giving workshops I was there for sure! They were very professional and had an unusual well build structure on the course material. They were also circulating around well but with that number of students what could they do? I was surprised that they managed to give us personal feedback so I could lead one of the figures with Roxana and my follower was lead by her too! But in these situations the whole room is filled with excitement so really deep learning is hardly possible.

Tangomeet

My third try was an online course! During the closedown autumn I bought two sections of Sebastian and Roxana classes on Tangomeet and that has been the best thing I have done for my long-term learning. The content of the classes is put together with great care and understanding of what a student needs to know in order to reach the goal. Through the years I have become extremely sensitive to power unbalance between the teachers but here we have just a clear focus on the students and cooperation to help them forward. Both are seamlessly adding information and advice helping me to proceed! Systematic video watching is the core of my learning method and therefore I really need content that I can watch over and over again and after that repeat it once more!

Local teachers

To learn from youtube, DVD, an education channel or from visiting teachers is kind of unsynchronized learning and it is not enough for me. I need also local regular courses as well as privates to reach the dance I am looking for. I need to combine the INFORMATION on how to do things and the FEEDBACK how am I doing, how does it feel for a follower. When we are back to couple dancing and private lessons I will go to my local teachers for feedback about how comfortable my lead is and how to improve my performance so it will be comfortable for tandas in the future!

Some comments on the Tangomeet courses I work on

I have been working on enrosques earlier with other teachers but his section gave me the exact timing of the steps as well as other details. Grateful for that! The biggest surprise was though that this section gave me so much more to learn - boleos sacadas and other goodies!
https://tangomeet.com/sebastian-achaval-roxana-suarez/the-traces-you-leave-lapiz-enrosque-sacadas-and-boleos

The second group of courses included the baridas on a *second level*! At the first level I could stop the follower, do a barida and continue the dance. This I knew already! Here I learn to do the barida as a skillful cooperation/shared decoration during the flow of the dance. No stops anywhere and that is much more complicated than I thought!
https://tangomeet.com/sebastian-achaval-roxana-suarez/captivated-by-a-beautiful-moment-barrida-and-rebote